Archive for the 'Anatomy in Art' Category

A Look Inside the Head of a Celebrity

by Sebastian Niedlich (Grabthar)) via Flickr

Can anyone guess who this lovely young celebrity is?

Stop by tomorrow to find out.

Jason Clay Lewis: Designing Death

Plague Biological Drawings 2003 by Jason Clay LewisEbola Biological Drawings 2003 by Jason Clay Lewis

Plague + Ebola
Biological Drawings 2003
Charcoal on paper
Drawing size: 2 1/4″ x 2 1/4″
Paper size: 11 3/4″ x 9″

Ikebana with Skull II 2006 Jason Clay Lewis

Ikebana with Skull II 2006
Clay, tree branch, dirt, plaster
39″ x 32″ x 17″

SS with Flower by Jason Clay Lewis

SS with Flower
Charcoal on paper
14″ x 16″

Poison Heart Box 2000 by Jason Clay Lewis

Poison Heart Box 2000
Rat poison, wood, wood burning, paper, balsa
1 1/8″ x 6 3/4″ x 6 3/4″

Fur Skull 2004 by Jason Clay Lewis

Fur Skull 2004
Rabbit fur, plaster
6 1/4″ x 6 3/4″ x 9 1/2″

Jason Clay Lewis is a multidisciplinary artist whose main focus seems to center around death and disease.  But instead of coming across as dark and macabre, Jason infuses his work with a bit of humor.  Combine that with good clean design and one can almost look past the morbid themes.

Make sure to check out every inch of Jason’s portfolio to take in his wide range of works.

How do you Count 365 on One Hand?

three-six-five

That’s how.

[by ? Helder via FFFFound! and Heather]

Pelvis Clippings

Hip x-ray made from magazine clippings by Hilary Samsa.  Love the range of blues and the cropping of the pelvis.

Portraits of Medical Mannequins

Peter (2008) Justine Cooper

Peter, 2008  C-Print 40″x32″

Wilbur (2008) Justine Cooper

Wilbur, 2008  C-Print  40″x32″

Mandy, 2008 Justine Cooper

Mandy, 2008  C-Print 40″x32″

Charles (2008) Justine Cooper

Charles, 2008  C-Print  32″x40″

Justine Cooper investigates the intersections between culture, science, and medicine in her latest series entitled Terminal.

The title of the current show refers to her new series of large format photographs depicting medical robots and manikins. These sophisticated manikins, typically connected up to computers, simulate living situations from crisis to childbirth.  At a time when medical intervention can be so de-humanizing, when technology is criticized for removing us from reality, these images create a perverse inversion.

The artist found that the personnel charged with the care of the manikins had humanized these objects into subjects by naming them, dressing them in holiday attire and constructing a narrative through their care. These million dollar manikins embody memories of daily life, offering up their injuries and procedures as rather austere visual diaries in the era of Second Life and the blogosphere.

These portraits of medical mannequins seem absurd when taken out of the context of simulating a life-threatening situation.  Their exposed innards and machinery combined with those scared vacant faces lend a disturbing atmosphere to each portrait. They’re supposed to imitate life, yet there’s nothing really life-like about them.  It’s what makes these portraits so unique and fascinating.

Justine is also behind the pharmaceutical spoof Havidol.

Take a look at the rest of her portfolio here.

Big thanks to Lars for the link!

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